By Jim Roberts

Jennifer Chapman lives in Virginia Beach but works for Richmond Ballet. Her job—even before the rest of the world embraced telecommuting—is to help the dance company build an audience beyond Richmond and specifically in Hampton Roads.

In the past, that has meant bringing long, classical performances like “The Nutcracker” and “Carmina Burana” to large venues in Norfolk and Newport News. They’re about to try a different approach, though, presenting a variety of short works in a small theater at Virginia Wesleyan University on April 24.

“I think a lot of people maybe still have in their minds that classical view of what ballet is,” Chapman recently told Veer Magazine. “But it can be really cool and funky and contemporary and modern, and that’s kind of what our Studio Series is like. We’re just excited for the community to see a different type of Richmond Ballet.”

One of the four pieces coming to Virginia Beach was choreographed by Ma Cong, Richmond Ballet’s new associate artistic director.

“‘Glare’ is a piece that is really trying to connect to people and with their human experiences,” Cong said. “Every single section is talking about the different human experiences. It’s a piece to unify people and bring people together.”

Cong said the music, composed by David McAlmont and Michael Nyman, has a “1980s kind of vibe” to it. “There’s lyrics to the music as well,” he said. “I just tried to use that as the foundation. … When I talked to people after the premiere in September, people did feel this work is very, very passionate. And also they think it’s so powerful because they really relate to their experience.”

The Virginia Wesleyan performance will also include “Allegro Brillante” (choreography by George Balanchine and music by Peter Tchaikovsky), “Three Preludes” (choreography by Ben Stevenson and music by Sergei Rachmaninoff), and the Pas de Deux from “Vestiges” (choreography by Colin Connor and music by Michael Nyman).

“I really do encourage people to come to see this show,” Cong said. “They will be really, really blown away that they probably never saw a ballet like this. … They will see that ballet can be everything.”

While Cong recently visited Hampton Roads—to scout Virginia Wesleyan’s Susan S. Goode Fine and Performing Arts Center and to teach a master class at the Governor’s School for the Arts—the performance will be his first in the area.

Cong’s journey to Virginia has been long. He was born and raised in China and studied at the Beijing Dance Academy. He began his career at the National Ballet of China but dreamed of living and working in the United States after spending one of his teen-age summers at a ballet program in Fargo, North Dakota. 

He eventually left China for Tulsa, Oklahoma, where he finished his dance career and seamlessly transitioned into the world of choreography. He was hired by Richmond Ballet in 2020 and officially finished the move to the Old Dominion with his family last December.

About five years ago, he also became a U.S. citizen.

“I just find this is a country with freedom—a country with the possibility that dreams do come true,” Cong said. “I have been chasing my dreams step by step—chasing dreams to become a dancer, chasing dreams to become a choreographer, and chasing my dream to lead a company—including chasing the dream to become a citizen. I got all those wishes came true. So I just feel like one of the very lucky ones.”

Richmond Ballet will perform at 4:30 p.m. Sunday, April 24 at the Susan S. Goode Fine and Performing Arts Center on the campus of Virginia Wesleyan University in Virginia Beach. General admission tickets are $40; tickets for college students are $20. For tickets or more information, visit