Music CD karl werne

https://climbingguidesinstitute.org/9341-how-to-write-an-intro-paragraph-research-paper/ common mistakes in essay writing enter site stanford mba essay source link books films essay http://belltower.mtaloy.edu/studies/dissertation-topics-crisis-management/20/ go to site https://artsgarage.org/blog/research-paper-japanese-internment/83/ cover letter introductions go here levitra barato https://thejeffreyfoundation.org/newsletter/good-quotes-for-english-essays/17/ https://pacificainexile.org/students/essay-contests-for-college-students/10/ https://worldtop20.org/system/sample-research-paper-for-elementary-students/30/ source site cout viagra quebec multiple choice and essay see is mail order viagra legal https://lajudicialcollege.org/forall/what-to-write-my-research-paper-on/16/ click here whats a good thesis statement for the story of an hour candian pharmacy professional cialis follow site https://climbingguidesinstitute.org/15455-research-papers-on-digital-curation/ linkedin resume writer homeworkhelponline biz newspaper glossary terminology feminism essay article essay topics source link Karl Werne

“This Little Notebook”

(Self-Release)

Talk about a great 50th birthday: Karl Werne releases an outstanding collection of introspective songs and headlines at the American Theatre. You could say it is a coming of age of sorts. Like a fine red blend of French Bordeaux, Werne seems to get better with age.

“This Little Notebook” holds 12 well written acoustic-based songs featuring a full band of rotating friend who happen to be fabulous musicians.

“Love & Fear” thrills the ear with Appalachian-like harmonies and bouncy lyrical phrasings. This, in my opinion, is a natural fit for eclectic radio programming. Equally appealing, like Werne’s voice, is the Americana-meets-pop vibe of “I Think I’m in Love.”

Other highlights include the sublime “From Here,” the blues-rock of “Shadows on the Wind,” the grooving piano-pop of “From This Height,” the trippy, psychedelic experimentation of “Brother’s Keeper” and the swampy title track where Werne’s voice is strangely enhanced.

Among the guest musicians: guitarist Tim Reynolds, singer Barbara Nesbitt, keyboardist John Toomey, multi-instrumentalists Scott Slay and Chris Cage, bassist Jimmy Masters, saxophonist Eddie Williams and “Stephan Lazar on bass.

Impressive. – Jeff Maisey