Stage & Film articles

Film 2

A Summer Season of Film as Art/Art as Film

A Summer Season of Film as Art/Art as Film

By Tench Phillips It’s only appropriate for the summer that The Naro showcase films that indulge the passions of the arts. Our New Non-Fiction Film series on Wednesday nights will feature an acclaimed film about musical mentor Seymour Bernstein, whose authenticity and wisdom transcend the competitive world of musical performance. Produced by Ethan Hawke, this

Cast of A Connecticut Yankee in King Arthur’s Court

Killer Fun Anglo-American Duo

By Montague Gammon III The greatest English writer’s bloody tragedy of ancient Scottish royalty, in company with the greatest American humorist’s fanciful tale of an ancient English court, comes to Christopher Newport’s Ferguson Center a few days after the Ides of April in new productions by The Acting Company in association with The Guthrie Theater.

1 Major-Tom

Stage Preview: Major Tom

By Montague Gammon III   A British performance artist successfully turned beauty queen, and a “stubborn” basset hound somewhat less successfully turned show dog, bring their irreverent and humorous two performer multi-media look at competitive beauty and associated topics to the Virginia Arts Festival’s Robin Hixon Theater for a 6 evening run this April. The

0927me-BalletHispanico

VA Arts Fest Opens with Ballet Hispanico

By Montague Gammon III   Ballet Hispanico’s visit to the Virginia Arts Festival swirls (and leaps, struts, slides and lifts) through a Latino flavored look at matters as tangible as a kiss or as surreal as a Magritte painting. The sweet and spicy Salsa vocals of the late Celia Cruz, the Havana born, New York

:  The exceptional party scene from La Traviata. Photo courtesy of Des Moines Metro Opera in a co-production with Virginia Opera

La Traviata: Beautiful, Young, Sexy and Dying

By Montague Gammon III What can you say about a beautiful young courtesan who dies? Well, oodles of folks have been saying – and singing and even dancing – quite a lot of things about one such star-crossed lass, variously named Marie/Marguerite/Camille/Violetta, since 1848. That’s when French novelist and playwright Alexandre Dumas turned out what

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