Art articles

(John A. Lee’s Woodshop Pink)

James Warwick Jones on Artists Who Teach

James Warwick Jones on Artists Who Teach

By Betsy DiJulio   James Warwick Jones, gallery manager of Charles H. Taylor Arts Center, took an hour or so to engage with me via email about “Artists Who Teach,” the Center’s current exhibition.  As a practicing artist, teacher, and curator, Jones brings a unique perspective to this popular long-standing show that recognizes educators for

Chrysler Museum of art Norfolk

ART REVIEW: Transforming Black & White

By Betsy DiJulio   Elegant and austere, Norwood Viviano’s gracefully attenuated and pendant and occasionally funnel-like “plumb bob” forms are, in fact, three-dimensional graphs of population growth and decline in 25 US cities from New York to Flint, Michigan, including Norfolk. The artist has transformed “black and white” census data into glossy black, smoky gray

This Jimi Hendrix inspired guitar art is from painter Clayton Singleton. It’s titled “Bold as Love” and is part of the Instruments of Art exhibit and fundraiser for Tidewater Arts Outreach.

Visual Art Guide Through March 15

Instruments of Art “Havana Nights” February 6 7 PM Decorum Furniture Art and music aficionados will be celebrating in nostalgic Cuban-inspired style at “Havana Nights,” the Tidewater Arts Outreach (TAO) 2016 Instruments of Art event at Decorum Furniture, 301 W. 21st St. in Ghent on Saturday, February 6, from 7-10 p.m. The Decorum galleries will

(American Tiki, Hal Weaver)

Unmasking Small Works of Hal Weaver

By Jeff Maisey   Each year, Charles H. Taylor Art Center in Hampton challenges local artists to think small. Really small. Miniature. As a result, dozens of painters, sculptures and mixed media artists rise to the occasion by submitting itty bitty work exhibited as Small Works: Miniatures by Tidewater Artists. One of this year’s participants

Tseng Kwong Chi
East Meets West Manifesto, 1983.

East Meets West ‘80s Style

By Jerome Langston   Whether he is staring at the camera stoically, wearing mirrored sunglasses, or laughing with Keith Haring, Kenny Scharf, or Ann Magnuson at Danceteria, Tseng embodies the essence of the 1980s; not only its extravagant social life but also its attention to issues of identity and race. ― Amy Brandt, the Chrysler

“Fully Faded,” Mickael Broth, is on display at Work|Release

Physical Graffiti

By Jeff Maisey   The world of graffiti art comes to life in a new exhibition at Work | Release. Dubbed “Nobody Writes Letters Anymore,” outsider artists such as Mickael Broth, Noah Larmz, “Frank Ape” creator Brandon Sines, and Chris “Apes” Peters provide a taste of the underground and a view of the public spaces

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